Take modules on craft, industry and life as a writer. Whether you’re starting out, mid-career or established, our NZSA Writer Toolkit has something for everyone. Available to do in your own time, on your phone, tablet, iPad or computer.
Writer Toolkit – what is it?
The Writer Toolkit is our professional development offering, with multiple modules released. Our Toolkit is an online learning platform that offers writers a wide range of modules on writing and the writing life by our leading authors and industry professionals. All sessions comprise of static content you can work through alone, or with your writing group or regional hub meeting. Each module contains notes, exercises, and suggestions for further reading on the topics.
Pricing options for each NZSA Writer Toolkit module, starts at $15 for NZSA members – with discount options for CSC holders, and pricing for NZSA member writing groups, non-members, and non-member writing groups also.
Writer Toolkit modules available now
Formatting Your Manuscript for Publication with Steff Green
USA Today bestselling indie author Steff Green guides you through the process of formatting your manuscript so that it is ready to be published as an ebook or print book. This module is geared towards writers who have a completed manuscript and does not provide tips on editing, proofreading or other associated elements.
Please note that Steff demonstrates how to prepare your completed manuscript on Vellum and Google Docs but her suggestions will be useful for other word processing and formatting platforms as well. Vellum is currently only available for Mac users. Other options for PC users are mentioned in the resources section at the end of this unit.
Steff Green is the USA Today bestselling and award-winning author of the paranormal, gothic, dark, and fantastical. She lives in New Zealand with her cantankerous drummer husband, a horde of cats, and their medieval sword collection. www.steffanieholmes.com
NEW! How to Load an Ebook or Print Book on Amazon KDP with Steff Green
Once you have formatted your manuscript, you may want to take Steff’s other practical, step-by-step module on How to Load an Ebook or Print Book on Amazon KDP.Steff Green is the USA Today bestselling and award-winning author of the paranormal, gothic, dark, and fantastical. She lives in New Zealand with her cantankerous drummer husband, a horde of cats, and their medieval sword collection. www.steffanieholmes.com
Introduction to Poetry with Siobhan Harvey
- Alliteration and assonance
- Line lengths and line breaks
- Word choice and
- Number patterning.
You will have also drafted and edited a poem based on your learnings.Enrol / find out more about this module
Research for Fiction with Whiti Hereaka
By the end of this module, you will have the tools to enable you to research and manage your information efficiently, and an approach that uses exposition to open your story rather than shutting it down.
- Sources of information
- Information management
- How to focus your research
- How to utilise your information in your project
- Using exposition to develop your story and characters.
Develop your Web Presence with Jack Cottrell
Get advice, ideas and strategies to get started with your online presence
Boosting your professional profile on the internet can be tough, and it’s often hard to know where to start. Jack Remiel Cottrell goes through the first steps, including how to decide where you want to be, what you want to use, and how to begin connecting with readers, publishers, and other writers.
By the end of this module, you will have the tools to begin to develop your web presence.
- What is a web presence?
- How to build it to reach readers, editors, agents, and other authors.
- Different platforms: pluses and minuses
- What’s right for you
- Who do you want to be online
- Tips for what to post and when
Finding your ‘I’: The key to the story with Pip Desmond
Writing in the first-person ‘I’ voice is common in creative non-fiction, not only in memoir but when writers tackle wider subjects too. At first glance it seems relatively easy to tell a story from our own point of view. There’s no one we know better than ourselves. The facts are already established. Surely all we have to do is arrange them in a logical order and add a few thoughts.
But when we sit down to write, we discover it’s not that simple. Every story requires a unique ‘I’, and finding that ‘I’ is the key to unIocking the story. If we know who is speaking, we will be clear about why we are speaking and what we have come to say.
In this session you will learn about:
- why every first-person story requires a unique ‘I’ to tell it
- how the ‘I’ transforms the raw material of a situation into the emotional essence of the story
- essential characteristics of the ‘I’ voice
- ethical considerations that will strengthen our voice
Writing Fiction from Life with Rajorshi Chakraborti
As writers of fiction, no matter how great a role our imaginations play in our storytelling, we’re almost always drawing on the real at the same time, in ways big and small, aware and unseen.
But what would a greater alertness to this constant interplay bring to our storytelling, if our everyday self and our writing self tried consciously to stay in closer touch, as we live our lives and plan new work, and feel, recall, imagine, notice and connect things in both spheres at the same time?
This is an hour-long module comprising four talks followed by suggested exercises, aimed primarily at beginning fiction-writers or those looking to go further in drawing on their lived experiences for their stories.
In this session you will learn about:
- writing fiction from life
- drawing on ourselves
- drawing on others and
- drawing on the flow of life.
Writing Action – the emotional and dramatic moment – with Paula Morris
In fiction, scenes are shaped by consciousness (the emotional moment) and action (the dramatic moment). Sometimes, in drafts of novels and stories, we can lose sight of one or the other. This module offers close reading of excerpts from published work to explore how to build and sustain rich, vivid scenes.
- Identify what creates rich, vivid scenes.
- Identify how POV affects description.
By the end of this module, you will understand how to build and sustain rich, vivid scenes in your work of fiction.Enrol / find out more about this module
In Successful Self-Publishing, USA Today bestselling indie author Steff Green shows you how to tell your story, find your readers, and build an author brand. Steff shares her tips and tricks for making a living as a successful self-published writer. This module is geared towards writers who want to earn from their self-publishing.
By the end of this module, you will understand how to establish yourself as a self-published author and:
- identify your goals and aspirations
- understand what self-published books sell and how you earn royalties
- understand what readers want.
- learn about your different self-publishing options including ebooks, paperbacks, hardcovers, and audio
- editing, cover art and formatting your book for publication and
- techniques for marketing your book.
Memoir: Telling Your Story with Caroline Barron
Figuring out how to tell your story is the most challenging aspect of memoir writing. In this module, Caroline looks at memoir basics (what memoir is and isn’t, the role of point of view, ethics and permissions, universal themes, and the road to publication). However, the secret sauce of this workshop is the detailed look at the role of time in memoir—where on the timeline you are standing to tell your story—plus how to tackle the one biggest issue she sees in clients’ work: story structure. Caroline will take you through five structures to lay over your work to help you decide which is best to carry your story.
By the end of this module, you will understand the process of creating and publishing a memoir, including:
- Elements of memoir
- Point of view
- How to use time
- Two types of memoir
- Five structures of memoir
- Next steps and editing
- Writing as therapy
- The road to publication
Learn about POV (point of view) with Paula Morris
In this short module, award-winning writer and teacher Paula Morris will guide you through the demands, contradictions and limitations of point of view as it relates to fiction, although the topics discussed are relevant to creative non-fiction as well.
- What is POV
- Demands of POV
- Constraints of POV
- 1st person narrative
By the end of this module, you will understand the fundamental elements of POV and how it could be applied to your fiction or creative non-fiction project.Enrol / find out more about this module
Storybuilding: Strategies and exercises to build solid foundations with Mandy Hager
- Understanding the story’s power
- Structure of story
- Psychology of story
- Refining story
- Building character
Short video guide – stepping you through the sign up process
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